I will try to keep any criticisms I have of Ken Penders to his writing, since that’s what this blog is all about.Īnd I’m warning you guys upfront: I will have a lot of criticisms of Ken Penders’s writing. There are a million places on the internet you can read and discuss that sort of thing. I don’t really intend to bring up the lawsuit, its implications, or Ken’s attitude about the whole thing. ![]() He’s become a very divisive figure in the Sonic community, to the degree where fans seem forced into the dichotomy of “defending him” or “making fun of him.” ![]() This has soured many people on Ken’s older work, perhaps deservedly so, perhaps not. Today, he is mostly known for his lawsuits against Archie Comics and Sega, and his incredulous attempts at reviving aspects of the Knuckles franchise for his own profit. He had big ideas – he was the brains behind Endgame and the chief engineer of many of the comic’s most notable moments. Over time, he would come to shape the direction and tone of the comic to an enormous degree he was pretty much entirely responsible for the Knuckles spinoff series that lasted 32 issues, creating a vast and expansive mythology for such a bare-bones character. Ken Penders is the second of four head writers the comic has had over the years. This is the first issue Ken Penders writes. ![]() The comic has a few issues where, looking back, it changes irrevocably, and though Issue 11 might seem a bit inauspicious to be one, there is one indisputable fact here. In the Reverse Universe, Ken Penders Writes YOUĪfter 10 issues (not including a four-issue miniseries) largely dominated by the incessant punniness of Mike Gallagher, we have reached a turning point in the series.
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